
This drawing, ‘Repeated Embrace’, signals something in peril that is also a threat. I manipulated octopi arms, aiming to simulate an intestinal material that could imprint formless traces, yet suggest the most intimate tendencies and operations. Forms wrestle: intestinal and skeletal structures blur human and animal experiences. Surfaces assert their presence, yet beg for penetration. These octopi drawings frustrate cravings for instant information-based recognition; instead transformed entities summon insecurities rooted in cultural relationships with everyday visual matter. This work attempts to honor matter occupied in the uncertain connectedness of a disordered and diseased world. Alarming at the onset of making, evolution and invasion are neither monstrosity nor stoppage: they facilitate conversations between those dead and those dying to live. These conversations sustain work that always makes for more work.

